Life, Death, And Distraction, by Paul Shirley

Life, Death, And Distraction, by Paul Shirley

As I write this, my maternal grandmother is somewhere between nearly-dead and very-nearly-dead.

My grandmother’s death won’t be a tragedy.  She has lived for 89 mostly-good years and is not dying suddenly of stomach cancer or leukemia or because of an attack by flesh-eating bacteria.  She’s dying because she is old.  Her heart hasn’t worked well for a long time.  Now her lungs won’t let her breathe.  Soon, her kidneys will fail, and she will die.

I loved my grandmother, and she loved me, but I would be a liar if I wrote that we were close.  I probably had, at most, two or three above-average, emotionally-depthful conversations with her.  But above-average, emotionally-depthful conversations were not my grandmother’s specialty.

My grandmother lost her first husband at 42.  Her second son died when he was 18.  I have no way of knowing if those doses of abandonment led to my grandmother’s inability to connect, but if Inquised, I would say they did.  I would also say that this tightrope act – with full-fledged connection on one side and aloof distance on the other – led to my grandmother’s role as the matriach, the coordinator, the central cog on the wheel that makes up my mother’s family.  Her tightrope act also led to me to believe that her death wouldn’t affect me all that much.

I was wrong, but not for the reasons a grandmother’s death usually affects a person.

When I arrived in Wichita to see my grandmother one last time, she was resting not-so-comfortably in the cardiac rehab unit in which she’d been interred.  She was pale, her always-pristine hair was wild and ratty, and her body was folding into itself like a man catching a cannon ball.

As sat down in her Spartan half-room, I arranged my face into a smile of greeting even as my brain recoiled.  Who is this human with the tissue paper skin and the Troll doll hair?, it wondered.

In an instant, I was angry with myself.  This was no stranger.  I hadn’t been sent by a community outreach program to see some old woman I didn’t know. This was my grandmother.

I took a deep breath and smiled again.  I asked her a question, and got a laugh.  She said, with a wry grin, that getting old wasn’t much fun.  I relaxed, finally sure that the person in front of me was who it was supposed to be.

After ten minutes, her eyes closed and her head fell back into a morphine-induced abyss.  For the next few minutes, she found the pattern that had been her natural one for days: wake for a moment, try to get a breath, and then go back to sleep.

I could hardly watch.

Once again, I was disgusted at my reaction.  Why should I be struggling so?  I wasn’t the one dying.  Soon, I would rise from my chair, walk to my car, and spend the night in a comfortable hotel bed.  Most important, I would get to keep breathing.  Barring catastrophe, I would continue to get to keep breathing for another 40, 50, maybe even 60 years.

I told myself that my anxiety was natural.  After all, my grandmother’s death would bring with it the realization that my parents are the oldest direct ancestry I have.  And that they’re the only generation between me and my own death.

But that didn’t explain my reaction.  Not completely anyway.  I’ve been prepared for my grandmother’s death for some time; she’s been failing for months.  And I’ve dealt with death before.  As could be interpreted from this grandmother’s lastness, I’ve had other grandparents die.  My grandmother’s second husband – the man I knew as Grandpa – died when I was a senior in high school.  I was much closer to him than to my grandmother.  But, because I didn’t watch him die – or watch any part of his death – his departure was conceptual.  He was alive.  Then he was dead.  My brain could build a prettier, simpler chain of events for his death.  He was old.  He went to sleep.  Then he was gone.  He was probably joking with the nurses up till the end.

My grandmother’s bed in the cardiac rehab unit left no room for such fairy tales.  The woman was in pain.  She was not happy.  She was not peaceful.  And she was going to die.  There was no escape.

And there was no way for me to pretend that it wasn’t going to happen.  Or that it was going to happen in a different way.

Much of my life – much of any life, really – is spent pretending.  The house I’ve remodeled, the warm bed I have, the arguments about politics I savor – these are the ways I convince myself that I’m not a mortal organism who will be aware of his surroundings for some finite number of years and who will then become food for those surroundings.

But my MacBook Pro and my Volkswagen Touareg and my Ikea Ektorp couch are not going to keep me from living – and dying – like everyone else.

My grandmother’s gasps for air left me with no choice.  They forced me to watch the theater of death – or the theater of life, depending on your view – up close.

I have similar revelations often enough.  Peeks that tear away the shroud of comfort I’ve built for myself.  The glimpse of a worn-out mother’s belly, flabby and white, as she lifts groceries into a beat-up Toyota Sienna; the tired look on a gray-haired woman’s face as she sucks on a cigarette while passing me on the highway; an old man’s pained expression as he decides on the store-brand pickles.

Most days, I can banish these visions from my mind.  I think, if I can busy myself with the day-to-day of tweeting and writing and talking and watching and reading and eating and drinking, that I won’t have to worry about these things.  I can pretend that I’m not an animal – that I am engaged in loftier pursuits.

But when it’s my grandmother, and when I have to watch the very real, and very inescapable process of dying up close…

Well, then, it’s harder.

None of us actually thinks he’s going to cheat death.  What we do think – at least, what I think we think – is that we can put off thinking about it, if we just stay busy.

I suppose we can – it works to distract ourselves.  Most of the time.  But the part not covered by “most of the time” – to borrow from the movie Greenberg – sucks.  In those moments – when we are returned to the cold, bleak reality of our pointless and fleeting existences – the descent is crushing.

In reaction, we prevent ourselves from going there very often.  We stay above it all, clinging to the pastimes – the NFL, and the Budweiser, and the sending of text messages to members of the opposite sex – that kept us from having those thoughts in the first place.

I can’t say if this is right or wrong, because I don’t know.  On one hand, it could be said that it isn’t healthy to delude ourselves.  Our delusions make the moments when we are faced with the grim realities of life all the more devastating.

But on the other, these delusions are a natural reaction.  And we, as organisms, are pretty good at figuring out what’s good for keeping us alive.  One needed only sit next to me in my grandmother’s room, as her frail body fought to keep breathing, even as her mind told it to let go, to know that we are nothing if not good at staying alive.

So maybe our brains know something we don’t, if you’ll pardon the contradiction in terms.  Maybe it’s for the best that, when this is all over, I’ll go back to hosting dinner parties and agonizing over the future with my girlfriend.

Actually, there’s no maybe about it.  I’m sure I will.

But then, when things slow down and I’m given time to think – when I’m at the movies and I watch an argument over who’s paying for the ticket, or when I’m waiting in a restaurant and I watch a waitress who’s been crying walk by – my friend will be back.  He’ll laugh.  He’ll wink.

And I will be frightened.  Not because he’s Death.  He’s not the Grim Reaper or the Devil or God.

He’s much scarier than any of those monsters.  Or maybe he’s all of those monsters.  But I prefer to call him by another name – the scariest name of all:

Reality.

Reality is what scared me in my grandmother’s room.  The Reality of death and, in turn, the Reality of life – that our lives are spent trying to put off thoughts of our deaths.

I think there may be a larger lesson in here somewhere.  Something about how the beauty of age and wisdom is that you come to terms with this specter named Reality.  But I am neither old nor wise, which means that I haven’t figured it out yet.

For now, I will return to what I’ve been doing, which is to wait for calls from my mother, knowing that one of them will be the end.  And I’ll do my best to prepare myself for Reality, because I know that, even if I escape his clutches again this time, he’ll be back.

Note: The bulk of this piece was written on Wednesday, August 25, 2010.  Mary L. Kaelson Shook Maddox died the next morning.

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